I tumble now, for you. I tumble for you!
http://dougkeller.tumblr.com/
Go there if you like me at all.
Sunday, November 30, 2008
Saturday, September 27, 2008
Truer Words...
“We are such spendthrifts with our lives. The trick of living is to slip on and off the planet with the least fuss you can muster. I’m not running for sainthood. I just happen to think that in life we need to be a little like the farmer, who puts back into the soil what he takes out.” -- Paul Newman, RIP.
Friday, September 26, 2008
DFW on Political Discourse
"My own belief, perhaps starry-eyed, is that since fictionists or literary-type writers are supposed to have some special interest in empathy, in trying to imagine what it’s like to be the other guy, they might have some useful part to play in a political conversation that’s having the problems ours is. Failing that, maybe at least we can help elevate some professional political journalists who are (1) polite, and (2) willing to entertain the possibility that intelligent, well-meaning people can disagree, and (3) able to countenance the fact that some problems are simply beyond the ability of a single ideology to represent accurately.
Implicit in this brief, shrill answer, though, is obviously the idea that at least some political writing should be Platonically disinterested, should rise above the fray, etc.; and in my own present case this is impossible (and so I am a hypocrite, an ideological opponent could say). In doing the McCain piece you mentioned, I saw some stuff (more accurately: I believe that I saw some stuff) about our current president, his inner circle, and the primary campaign they ran that prompted certain reactions inside me that make it impossible to rise above the fray. I am, at present, partisan. Worse than that: I feel such deep, visceral antipathy that I can’t seem to think or speak or write in any kind of fair or nuanced way about the current administration. Writing-wise, I think this kind of interior state is dangerous. It is when one feels most strongly, most personally, that it’s most tempting to speak up (“speak out” is the current verb phrase of choice, rhetorically freighted as it is). But it’s also when it’s the least productive, or at any rate it seems that way to me—there are plenty of writers and journalists “speaking out” and writing pieces about oligarchy and neofascism and mendacity and appalling short-sightedness in definitions of “national security” and “national interest,” etc., and very few of these writers seem to me to be generating helpful or powerful pieces, or really even being persuasive to anyone who doesn’t already share the writer’s views.
My own plan for the coming fourteen months is to knock on doors and stuff envelopes. Maybe even to wear a button. To try to accrete with others into a demographically significant mass. To try extra hard to exercise patience, politeness, and imagination on those with whom I disagree. Also to floss more."
-- David Foster Wallace from a 2003 interview with The Believer.
Implicit in this brief, shrill answer, though, is obviously the idea that at least some political writing should be Platonically disinterested, should rise above the fray, etc.; and in my own present case this is impossible (and so I am a hypocrite, an ideological opponent could say). In doing the McCain piece you mentioned, I saw some stuff (more accurately: I believe that I saw some stuff) about our current president, his inner circle, and the primary campaign they ran that prompted certain reactions inside me that make it impossible to rise above the fray. I am, at present, partisan. Worse than that: I feel such deep, visceral antipathy that I can’t seem to think or speak or write in any kind of fair or nuanced way about the current administration. Writing-wise, I think this kind of interior state is dangerous. It is when one feels most strongly, most personally, that it’s most tempting to speak up (“speak out” is the current verb phrase of choice, rhetorically freighted as it is). But it’s also when it’s the least productive, or at any rate it seems that way to me—there are plenty of writers and journalists “speaking out” and writing pieces about oligarchy and neofascism and mendacity and appalling short-sightedness in definitions of “national security” and “national interest,” etc., and very few of these writers seem to me to be generating helpful or powerful pieces, or really even being persuasive to anyone who doesn’t already share the writer’s views.
My own plan for the coming fourteen months is to knock on doors and stuff envelopes. Maybe even to wear a button. To try to accrete with others into a demographically significant mass. To try extra hard to exercise patience, politeness, and imagination on those with whom I disagree. Also to floss more."
-- David Foster Wallace from a 2003 interview with The Believer.
Wednesday, September 24, 2008
Saturday, September 13, 2008
David Foster Wallace
"The project that's worth trying is to do stuff that has some of the richness and challenge and emotional and intellectual difficulty of avant-garde literary stuff, stuff that makes the reader confront things rather than ignore them, but to do that in such a way that it's also pleasurable to read. The reader feels like someone is talking to him rather than striking a number of poses.
Part of it has to do with living in an era when there's so much entertainment available, genuine entertainment, and figuring out how fiction is going to stake out its territory in that sort of era. You can try to confront what it is that makes fiction magical in a way that other kinds of art and entertainment aren't. And to figure out how fiction can engage a reader, much of whose sensibility has been formed by pop culture, without simply becoming more shit in the pop culture machine. It's unbelievably difficult and confusing and scary, but it's neat. There's so much mass commercial entertainment that's so good and so slick, this is something that I don't think any other generation has confronted. That's what it's like to be a writer now. I think it's the best time to be alive ever and it's probably the best time to be a writer. I'm not sure it's the easiest time."
--Rest in peace Mr. Wallace.
Part of it has to do with living in an era when there's so much entertainment available, genuine entertainment, and figuring out how fiction is going to stake out its territory in that sort of era. You can try to confront what it is that makes fiction magical in a way that other kinds of art and entertainment aren't. And to figure out how fiction can engage a reader, much of whose sensibility has been formed by pop culture, without simply becoming more shit in the pop culture machine. It's unbelievably difficult and confusing and scary, but it's neat. There's so much mass commercial entertainment that's so good and so slick, this is something that I don't think any other generation has confronted. That's what it's like to be a writer now. I think it's the best time to be alive ever and it's probably the best time to be a writer. I'm not sure it's the easiest time."
--Rest in peace Mr. Wallace.
Thursday, September 11, 2008
Where I'm Calling From
"Three times a week from some bar, supermarket, or tire-and-tool cluttered service station, I put calls through to New York and reestablished my identity in time and space. For three or four minutes I had a name, and the duties and joys and frustrations a man carries with him like a comet's tail. It was like dodging back and forth from one dimension to another, a silent explosion of breaking through a sound barrier, a curious experience, like a quick dip into a known but alien water." --John Steinbeck, Travels with Charley
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